Oxford Comparative Criticism and Translation (OCCT)
A podcast by Oxford University
39 Episodio
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Translation as Afterlife
Pubblicato: 24/02/2017 -
“Forgotten Europe”: Translating Marginalised Languages
Pubblicato: 10/02/2017 -
Between Languages: Working in and out on Translation
Pubblicato: 30/11/2016 -
Literature Beyond Literary Studies: Intermediality and Interdisciplinarity
Pubblicato: 01/11/2016 -
Comparative Criticism: What Is It and Why Do We Do It?
Pubblicato: 19/10/2016 -
Intercultural Literary Practices
Pubblicato: 09/11/2015 -
Fiction and Other Minds
Pubblicato: 09/11/2015 -
Extremist Translation and the Deformation Zone
Pubblicato: 24/07/2015 -
Lunchtime talk with Italian journalist Antonio Armano
Pubblicato: 23/06/2015 -
Translation and Ekphrasis: Dante and the visual arts
Pubblicato: 24/02/2015 -
Intercultural Tales
Pubblicato: 17/02/2015 -
To the Lighthouse
Pubblicato: 09/02/2015 -
OCCT event - The Creativity of Criticism part four
Pubblicato: 19/12/2014 -
OCCT event - The Creativity of Criticism part three
Pubblicato: 19/12/2014 -
OCCT event - The Creativity of Criticism part two
Pubblicato: 19/12/2014 -
Languages of Criticism - Translation and Comparison part two
Pubblicato: 17/12/2014 -
Unbuttoning Catullus
Pubblicato: 01/12/2014 -
Other Worlding
Pubblicato: 14/11/2014 -
Kirmen Uribe - Reading and in discussion with Daniela Omlor and Xon de Ros
Pubblicato: 14/11/2014 -
Cultures of Mind-Reading: The Novel and Other Minds - ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’
Pubblicato: 20/09/2014
The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.
