Oxford Comparative Criticism and Translation (OCCT)
A podcast by Oxford University
39 Episodio
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Cultures of Mind-Reading: The Novel and Other Minds - “Tell Me Who I Am”
Pubblicato: 20/09/2014 -
OCCT event - The Point of Comparison
Pubblicato: 20/09/2014 -
Languages of Criticism - Translation and Comparison part one
Pubblicato: 20/09/2014 -
Languages of Criticism - The Practice of Commentary
Pubblicato: 20/09/2014 -
Languages of Criticism - Creatively Critical
Pubblicato: 20/09/2014 -
OCCT event - The Creativity of Criticism part one
Pubblicato: 20/09/2014 -
Philosophy of Criticism - Creativity as a Virtue of Character
Pubblicato: 20/09/2014 -
Philosophy of Criticism - Malcolm Budd’s “The Intersubjective Validity of Aesthetic Judgements”
Pubblicato: 20/09/2014 -
Philosophy of Criticism - Justifying Canonic Value
Pubblicato: 20/09/2014 -
Philosophy of Criticism - Creativity, Culture and Tradition
Pubblicato: 20/09/2014 -
Intercultural Literary Practices - Rethinking the Political through Intercultural Aesthetics
Pubblicato: 20/09/2014 -
Intercultural Literary Practices - Theorising Interculturality
Pubblicato: 20/09/2014 -
Translators and Writers - Translation and Fictionality
Pubblicato: 20/09/2014 -
Translators and Writers - Poetry and the Act of Translation
Pubblicato: 20/09/2014 -
Round Table: The Future of Comparative Criticism
Pubblicato: 22/10/2013 -
Tropes of Comparison
Pubblicato: 22/10/2013 -
Comparative Literature, Britain and Empire
Pubblicato: 22/10/2013 -
Shaped by the Classics?
Pubblicato: 22/10/2013 -
Literature in the World
Pubblicato: 22/10/2013
The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.
