Music History Monday

A podcast by Robert Greenberg

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192 Episodio

  1. Music History Monday: An American in Paris

    Pubblicato: 26/08/2024
  2. Music History Monday: Serge Pavlovich Diaghilev

    Pubblicato: 19/08/2024
  3. Music History Monday: Giovanni Gabrieli and the Miracle That is Venice!

    Pubblicato: 12/08/2024
  4. Music History Monday: The First Professional Composer

    Pubblicato: 05/08/2024
  5. Music History Monday: Cass Elliot and the Making of an Urban Legend

    Pubblicato: 29/07/2024
  6. Music History Monday: Shake, Rattle, and Roll

    Pubblicato: 22/07/2024
  7. Music History Monday: An Indispensable Person

    Pubblicato: 15/07/2024
  8. Music History Monday: What’s in a Name?

    Pubblicato: 08/07/2024
  9. Music History Monday: The Sony Walkman: A Triumph and a Tragedy!

    Pubblicato: 01/07/2024
  10. Music History Monday: Boogie Fever

    Pubblicato: 24/06/2024
  11. Music History Monday: Unsung Heroes

    Pubblicato: 17/06/2024
  12. Music History Monday: Let Us Quaff from the Cup: Wagner’s Tristan und Isolde

    Pubblicato: 10/06/2024
  13. Music History Monday: Ludwig von Köchel and the Seemingly Impossible Task

    Pubblicato: 03/06/2024
  14. Music History Monday: “Inappropriate”

    Pubblicato: 27/05/2024
  15. Music History Monday: A Difficult Life

    Pubblicato: 20/05/2024
  16. Music History Monday: What Day is Today?

    Pubblicato: 13/05/2024
  17. Music History Monday: The Evolution of Western Pop Music: USA (1960-2010)

    Pubblicato: 06/05/2024
  18. Music History Monday: The Duke

    Pubblicato: 29/04/2024
  19. Music History Monday Replay: “The Empress” – Bessie Smith

    Pubblicato: 15/04/2024
  20. Music History Monday: The Guy Who Wrote the “Waltz”

    Pubblicato: 08/04/2024

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Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.

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