The Poetry Society
A podcast by The Poetry Society - Martedì
135 Episodio
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W.S. Graham reads 'I Leave This At Your Ear'
Pubblicato: 01/02/2019 -
Look Into My Lights by Joseph Coelho
Pubblicato: 19/12/2018 -
sam sax & the 2018 SLAMbassadors masterclass in conversation with Joelle Taylor
Pubblicato: 14/12/2018 -
Chelsey Minnis talks to Emily Berry
Pubblicato: 15/10/2018 -
Raymond Antrobus talks to Emily Berry
Pubblicato: 28/08/2018 -
Will Harris reads 'SAY'
Pubblicato: 24/05/2018 -
Fiona Benson talks to Emily Berry
Pubblicato: 03/05/2018 -
Joelle Taylor in conversation with Danez Smith, Anthony Anaxagorou, Jay Bernard and Imani Robinson
Pubblicato: 08/02/2018 -
Rob Auton - Letter From Father Christmas
Pubblicato: 18/12/2017 -
Julian Stannard talks to Emily Berry
Pubblicato: 12/12/2017 -
Emily Berry talks to Ishion Hutchinson
Pubblicato: 22/11/2017 -
Joelle Taylor in conversation with Rob Auton
Pubblicato: 19/10/2017 -
Hegley on what to expect at New Poems/Old Drawings
Pubblicato: 19/10/2017 -
New Poems/Old Drawings - A Preview
Pubblicato: 19/10/2017 -
Hegley on his new book
Pubblicato: 19/10/2017 -
Hegley on potatoes
Pubblicato: 19/10/2017 -
Hegley on words
Pubblicato: 19/10/2017 -
Hegley on ukuleles and mandolins
Pubblicato: 19/10/2017 -
The Poetry Review: Jen Campbell on Stairs and Whispers: D/deaf and Disabled Poets Write Back
Pubblicato: 02/10/2017 -
Gillian Allnutt talks to Emily Berry
Pubblicato: 01/06/2017
The Poetry Society was founded in 1909 to promote "a more general recognition and appreciation of poetry". Since then, it has grown into one of Britain's most dynamic arts organisations, representing British poetry both nationally and internationally. Today it has more than 4000 members worldwide and publishes the leading poetry magazine, The Poetry Review. With innovative education and commissioning programmes and a packed calendar of performances, readings and competitions, the Poetry Society champions poetry for all ages. "The Poetry Society is the heart and hands of poetry in the UK – a centre which pours out energy to all parts of the poetry-body, and a dexterous set of operations which arrange and organise poetry's various manifestations. It has a long distinguished history, and has never been so vital, or so vitalizing as it is now." Sir Andrew Motion
