The Bulletproof Musician
A podcast by Noa Kageyama - Domenica
381 Episodio
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The Best Thing to Listen to Backstage for Reducing Anxiety?
Pubblicato: 12/11/2023 -
Benjamin Kamins: On Self-Judgment, Slow Practice, and Reed-Making
Pubblicato: 05/11/2023 -
Why Lowering Standards Can Sometimes Promote Better Learning
Pubblicato: 29/10/2023 -
“Brain Fatigue” and the Best Thing to Do on Practice Breaks
Pubblicato: 22/10/2023 -
Why Reflection Should Be Part of Your Daily Practice Routine
Pubblicato: 15/10/2023 -
How to Practice for More Consistent Performances
Pubblicato: 08/10/2023 -
Christine Carter & Ellen Hendriksen: On the Perils of “Perfect Practice”
Pubblicato: 01/10/2023 -
Are Today’s Musicians More “Clone-Like?"
Pubblicato: 24/09/2023 -
Why Practicing Too Much Could Actually Increase Errors
Pubblicato: 17/09/2023 -
How Consistent Do Pre-Performance Routines Need to Be?
Pubblicato: 10/09/2023 -
The Surprising Truth about Learning Styles
Pubblicato: 03/09/2023 -
Difficulty Staying Focused While Practicing? Why “Airplane Mode” May Not Be Enough
Pubblicato: 20/08/2023 -
A Hack to Boost Your Practice Efficiency
Pubblicato: 13/08/2023 -
On Building an Audience in 2023: Ken Kubota & Morgan Davison
Pubblicato: 06/08/2023 -
When Is the Best Time to Start Memorizing a New Piece?
Pubblicato: 30/07/2023 -
The "Lazy" Person’s Guide to Mastering Self-Control
Pubblicato: 23/07/2023 -
Two Things Experts Do Differently When Practicing
Pubblicato: 16/07/2023 -
On Building an Audience in 2023: Sumina Studer & Drew Forde
Pubblicato: 09/07/2023 -
How to Make Practicing Feel Less Like a Chore
Pubblicato: 02/07/2023 -
Self-Compassion: Does It Help or Hurt Performance?
Pubblicato: 25/06/2023
Ever wonder why you can practice for hours, sound great in the practice room, and still be frustratingly hit or miss on stage? Join performance psychologist and Juilliard alumnus/faculty Noa Kageyama, and explore research-based “practice hacks” for beating anxiety, practicing more effectively, and playing up to your full abilities when it matters most.