Music History Monday

A podcast by Robert Greenberg

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192 Episodio

  1. Music History Monday: Haydn’s Death and His Final Road Trip

    Pubblicato: 31/05/2021
  2. Music History Monday: George Bridgetower, Louis van Beethoven, Rodolphe Kreutzer, and a Sonata for Violin!

    Pubblicato: 24/05/2021
  3. Music History Monday: The Making of an Eccentric: Erik Satie

    Pubblicato: 17/05/2021
  4. Music History Monday: The Riot at the Astor Place Opera House

    Pubblicato: 10/05/2021
  5. Music History Monday: The Word’s the Thing: Betty Comden and Adolph Green

    Pubblicato: 03/05/2021
  6. Music History Monday: Tchaikovsky in America

    Pubblicato: 26/04/2021
  7. Music History Monday: To the memory of an Angel

    Pubblicato: 19/04/2021
  8. Music History Monday: Dr. Burney

    Pubblicato: 12/04/2021
  9. Music History Monday: “Three’s the Charm”

    Pubblicato: 05/04/2021
  10. Music History Monday: Beethoven’s Funeral

    Pubblicato: 29/03/2021
  11. Music History Monday: Stephen Sondheim: The Making of a Theatrical Life, Part One

    Pubblicato: 22/03/2021
  12. Music History Monday: My Fair Lady and the Making of a Partnership

    Pubblicato: 15/03/2021
  13. Music History Monday: Dressed to Kill

    Pubblicato: 08/03/2021
  14. Music History Monday: Orrin Keepnews: With Great Respect and Appreciation

    Pubblicato: 01/03/2021
  15. Music History Monday: Tchaikovsky: Two Women and a Symphony

    Pubblicato: 22/02/2021
  16. Music History Monday: What a Day!

    Pubblicato: 15/02/2021
  17. Music History Monday: John Williams

    Pubblicato: 08/02/2021
  18. Music History Monday: Pretty Much the Worst

    Pubblicato: 01/02/2021
  19. Music History Monday: When Richard Strauss was “Modernity”: ‘Salome’ and ‘Elektra’

    Pubblicato: 25/01/2021
  20. Music History Monday: Concerts I Would Like to Have Attended (and One I am Glad to have Missed!)

    Pubblicato: 18/01/2021

9 / 10

Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.

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