Music History Monday
A podcast by Robert Greenberg
Categorie:
192 Episodio
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Music History Monday: Armando Anthony “Chick” Corea
Pubblicato: 12/6/2023 -
Music History Monday: Never Eat Anything That Can Bite You Back!
Pubblicato: 5/6/2023 -
Music History Monday: Isaac Albéniz
Pubblicato: 29/5/2023 -
Music History Monday: Giuseppe Verdi and the Requiem for Alessandro Manzoni
Pubblicato: 22/5/2023 -
Music History Monday: All the Music That’s Fit to Print
Pubblicato: 15/5/2023 -
Music History Monday: Louis Moreau Gottschalk, or What Happens in Oakland Does Not Stay in Oakland
Pubblicato: 8/5/2023 -
Music History Monday: The Enduring Miracle
Pubblicato: 1/5/2023 -
Music History Monday: A Voice Like Buttah!
Pubblicato: 24/4/2023 -
Music History Monday: I Left My Nerve in San Francisco
Pubblicato: 17/4/2023 -
Music History Monday: A Mama’s Boy, and Proud of It!
Pubblicato: 10/4/2023 -
Music History Monday: The Death of Johannes Brahms
Pubblicato: 3/4/2023 -
Music History Monday: Papa’s Last Appearance
Pubblicato: 27/3/2023 -
Music History Monday: The First Night: Gioachino Rossini’s The Barber of Seville
Pubblicato: 20/2/2023 -
Music History Monday: A Man for All Symptoms: The Death of Wagner
Pubblicato: 13/2/2023 -
Music History Monday: Johannes Ockeghem and the Oltremontani
Pubblicato: 6/2/2023 -
Music History Monday: Francis Poulenc: “a bit of monk and a bit of hooligan”
Pubblicato: 30/1/2023 -
Music History Monday: Paul Robeson: Truly Larger Than Life
Pubblicato: 23/1/2023 -
Music History Monday: The Blockhead – Anton Felix Schindler – and Beethoven’s Conversation Books
Pubblicato: 16/1/2023 -
Music History Monday: An Impresario for the Ages: Rudolf Bing
Pubblicato: 9/1/2023 -
Music History Monday: Getting Personal: Édith Piaf
Pubblicato: 19/12/2022
Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.