Get Up in the Cool
A podcast by Cameron DeWhitt - Mercoledì
462 Episodio
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Episode 394: Hal Cannon (Old Time in Utah and Cowboy Music)
Pubblicato: 13/03/2024 -
Episode 393: Kendl Winter (Banjo Mantras)
Pubblicato: 06/03/2024 -
Episode 392: Hayden Stern (Blasphemy and Hot Nonsense)
Pubblicato: 28/02/2024 -
Episode 391: Adam Roszkiewicz (Old Time Tunes on Finger-style Guitar)
Pubblicato: 21/02/2024 -
Episode 390: Call Up in the Cool No. 3
Pubblicato: 14/02/2024 -
Episode 389: Matthew Lynn (Banjo Maker)
Pubblicato: 07/02/2024 -
Request for questions and tune requests!
Pubblicato: 06/02/2024 -
Episode 388: Miriam Hacksaw and Rye (Old Time and Samba)
Pubblicato: 31/01/2024 -
Episode 387: The Canote Twins (with Larry Edelman)
Pubblicato: 24/01/2024 -
Episode 386: Nadine Landry & Stephen "Sammy" Lind (Old Time in Quebec and Foghorn Stringband)
Pubblicato: 17/01/2024 -
Episode 385: Lillian Sawyer and Patrick Gunning (All Joy, No Wisdom)
Pubblicato: 10/01/2024 -
Episode 384: Nate Calkins (Banjo Maker)
Pubblicato: 03/01/2024 -
Episode 383: Countercurrent (Alex Sturbaum and Brian Lindsay)
Pubblicato: 27/12/2023 -
Episode 382: River & Annie (Old Time in Olympia, WA)
Pubblicato: 20/12/2023 -
Episode 381: Evan Snoey (NW Fiddling, Playing for Dances, and Fiddle Tunes on Saxophone)
Pubblicato: 13/12/2023 -
Episode 380: Isabel Dammann (Creativity in Tradition)
Pubblicato: 06/12/2023 -
Episode 379: Neil Pearlman (TradCafe Crossover)
Pubblicato: 29/11/2023 -
Episode 378: Morgan Harris (Old Time Backup Guitar)
Pubblicato: 22/11/2023 -
Episode 377: Jonathan Vocke (Two-Finger Banjo, Fiddle, and the Subdivision Train)
Pubblicato: 15/11/2023 -
Episode 376: Neal Pressley (Raising an Old Time Community)
Pubblicato: 08/11/2023
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.
